
Panasonic has launched a pair of new non-Leica-designed lenses for its Micro Four
Thirds range of cameras. The emphasis is on making these new lenses small and light,
and to this end Panasonic has removed somewhat essential features.
Thirds range of cameras. The emphasis is on making these new lenses small and light,
and to this end Panasonic has removed somewhat essential features.
Speaking to the British Journal of Photography, Panasonic’s UK Lumix boss Barney
Sykes said that “Leica has very strict standards when making lenses. This would not
have conformed to Leica’s standard.”
Sykes said that “Leica has very strict standards when making lenses. This would not
have conformed to Leica’s standard.”
The two lenses are power-zoom models (you zoom in and out by pressing two buttons
instead of twisting a dial), like you’d find on compact cameras. Also replaced by buttons
is the manual focus ring. There’s a 14-42mm ƒ3.5-5.6 and a 25-175 ƒ4-5.6 model.
The 14-42 in particular is tiny when the zooming center is retracted — barely larger
than the tiny 20mm pancake.
instead of twisting a dial), like you’d find on compact cameras. Also replaced by buttons
is the manual focus ring. There’s a 14-42mm ƒ3.5-5.6 and a 25-175 ƒ4-5.6 model.
The 14-42 in particular is tiny when the zooming center is retracted — barely larger
than the tiny 20mm pancake.
The lenses are the firs tin Panasonic’s new “X” line, which denotes high-end optics,
and are supposedly of better quality than the current lenses.
and are supposedly of better quality than the current lenses.
Sykes says that the lenses use “digital technology to get the same quality” as the lenses
designed in collaboration with Leica. This, presumably, means that there’s a lot of correction
going on in-camera. We’ll be able to test this when we get our hands on one by comparing
the in-camera JPG files with the RAW files processed in Lightroom. If the camera is making
corrections, then the unprocessed RAW file should show the naked image.
designed in collaboration with Leica. This, presumably, means that there’s a lot of correction
going on in-camera. We’ll be able to test this when we get our hands on one by comparing
the in-camera JPG files with the RAW files processed in Lightroom. If the camera is making
corrections, then the unprocessed RAW file should show the naked image.
The 45-175 will cost $450 and be available in September. The 14-45mm will cost $400 in November.
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